Wednesday, June 24, 2009

Labview Fm Transmitter

Paris ... la France ...


Great news, a great expo for a great designer ... Madeleine Vionnet. The penalty: it is Paris and I come in handy for the agenda ...

Madeleine Vionnet's designs, revolutionary fashion of the early twentieth century and the innovations introduced in the design world star in the first retrospective devoted to the creative French.

Madeleine Vionnet, the fashion purist offers a chronological tour beginning tomorrow, Wednesday, for the career of this unique designer through 130 designs produced between 1912 and 1939 and preserved by the Museum of Decorative Arts in Paris.

Vionnet (1876-1975) "was a fashion artist, as it was in Picasso's painting ", said today the exhibition curator and chief curator of collections of fashion and textile museum, Pamela Golbin.

The exhibition will run until January 2010, presented in the first part Vionnet designs conducted between 1910 and 1920 and already reflect the characteristics of the dressmaker, and structure of the special clothing and decor.

The second part focuses on the early thirties, when his style finally established.

chiaroscuro

A sober environment by combining the black space with mirrors and glass display cases, under dim lighting, and sound occasionally the words of the dressmaker kept up the scenery created by Andrée Putman for exposure.

pioneer in the use of "cut on the bias" and draped in their designs, Vionnet removed from their proposals and chose corset gowns and comfortable, sheer fabrics such as tulle, chiffon and silk crepe.

This seamstress who wanted to be a teacher revolutionized the aesthetics of women and allowed for a true transformation of the figure, which represented "a landmark in the evolution of the emancipation of the female body," explains the curator in the exhibition catalog.

showcases a selection of Theme show certain peculiarities of his creations as fringes, transparencies, glossy elements and the introduction of the circle, rectangle and square.

For visitors, there is a jointed wooden mannequin of 80 centimeters, the same as served on numerous occasions to gala dressmaker to make their creations, then transferred to actual size.

Forced by his father to leave school with twelve, Vionnet then entered into a sewing workshop and a few years later moved to London, where he learned the art.

spent in Paris by the renowned fashion house Callot sisters and led modernization of the firm Doucet, who left because they can not implement their innovative ideas, which led him to open his own firm in 1912.

was the first couturier to be aware of the need for conservation of their heritage, to create labels with his signature, which placed in each garment.

Despite being virtually unknown to a large public, is considered one of the great French fashion, the level of Coco Chanel, for many of today's greatest designers as Karl Lagerfeld and Jean-Paul Gaultier, who have acknowledged their great influence in haute couture.


A clear example of the use of cut on the bias.






HAD to put a figurine, otherwise I would not be ...


wonderful Do not you think this picture?


This gray dress I think is to stay hours watching it, I loved it.



influences more or less present, although Natalie Portman gets the first dress on the second photo one would say it was designed so many years ago ...


Marc Jacobs a few years ago if I remember correctly.


Ahhh

as a dwarf enjoy these little walks through the story ...




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